When you say Nora Ephron, I suspect that most people think “chick flick.” Intellectuals, in particular, are always very careful to say they don’t like her movies; and the same sorts of women who take pride in telling me they *hate* Jane Austen similarly take pride in telling me they *hate* Nora Ephron.
Well, I love Nora Ephron. I love her movies, and I really love her books. What I really love about Nora Eprhon is that her cities are part of her stories. How many truly beautiful movies of Baltimore have you ever seen? But the truth is, Baltimore has some absolutely lovely neighborhoods, and in Ephron’s capable hands, you get to see Kevin Lynch’s “Imagabilty” come to life on film. Baltimore, New York, Seattle, even LA–she can find the loveliness in just about any urban context.
From Sleepless in Seattle, Chicago:
A gathering of women in one of those fantastic SF Valley backyards, from Bewitched:
One of those incredible LA west side homes, from Hanging Up:
There are almost too many to choose from the move You’ve Got Mail, which like many of Woody Allen’s films is as much of a love story about New York as it is a love story between two people: